Mitchell Cameras; ownership history

~
Feel free to discuss any topic related to the Mitchell Camera. Both 35 mm and 16 mm models are welcomed here. Also consider posting topics of other major motion picture cameras that you feel are important to the development of the Mitchell Camera.

Update: You may have noticed that we have returned to just one category as opposed to dividing the forum into 7 different areas. Apparently, it was an unpopular change and returning to the old format will allow posters to find their submissions more easily.
~
Guest

Re: Mitchell Cameras; ownership history

Postby Guest » Thu Nov 23, 2017 2:30 am

20170425_185639.jpg
Year?
Does anyone know what year and model?
Attachments
20170425_185629.jpg
20170425_190125.jpg
Information

marop
Posts: 57
Joined: Fri Mar 21, 2014 2:45 pm

Re: Mitchell Cameras; ownership history

Postby marop » Thu Nov 23, 2017 1:14 pm

Hello,

This is a “Blimp” for a 16mm Mitchel movie camera. In case you don’t know what a blimp is, it’s a sound reducing camera housing for use during sound recording so the sound of the camera running is not recorded. I’m not aware of any particular models of these and there probably was only one, with maybe some changes over the years. This is likely from the 60’s-70’s, but I am not sure when they started making them nor when they stopped.

I hope this helps,

Mark

mediaed
Posts: 47
Joined: Wed Apr 06, 2016 3:53 pm

Re: Mitchell Cameras; ownership history

Postby mediaed » Thu Nov 23, 2017 5:27 pm

Mark is on the money but I can add some more information. This is a 400' sound blimp for a Mitchell 16Pro camera. The cameras were introduced in 1947. Probably the blimp would have been very shortly thereafter if not part of the initial packages. These cameras were phased out by the early 70's in favor of a more modern design loosely based on Arriflex cameras that were starting to take over the professional market.
There was another version of the blimp later (probably mid-50's) that allowed for use of the 1200' magazines which understandably was quite bulbous. This one pictured has the rare square filter holder which is a definate plus. Because these cameras used double perf 16 film with dual registration pins and could film up to 120fps, they were mostly research cameras. The blimps were not as numerous as they were only required for productions doing sound work.
If you want to see how this works with a 16Pro camera, click.on the "member's articles" tab on the front page and select the first article which has my stop motion videos of the major Blimped cameras is the 1950's to 1960's' My 16Pro with blimp is the 5th video.
The camera is #333 from 1961 the blimp is #134 from the mid 1950's so whatever your serial number is, that will give you some idea of approximate age.

Feel free to contact if you have any more questions. ED.


Return to “General Discussions About the Mitchell Camera”



Who is online

Users browsing this forum: No registered users and 1 guest